DENDROCHRONOLOGY OF UNITED STATES IMMIGRATION | 2018
Immigration is integral to the identity of the United States, which has grown in both population and diversity thanks to new arrivals from around the globe. The Dendrochronology of United States Immigration is a visualization project that uses arboreal metaphors to illustrate the contributions of immigrants to the country's growth. In this project, immigrants and native-born individuals are represented as cells within tree rings, each capturing a decade of population growth.
The project mimics the natural process of dendrochronology, generating tree rings where each ring represents a decade, and each cell corresponds to 100 immigrants from a specific region. The direction and color of each cell reflect the immigrant's geographical origin, with rings skewed toward the East indicating immigration from Europe, and rings skewed to the South signifying more immigration from Latin America. The thickness of the rings shows the volume of immigration, while the color represents different cultural-geographical regions.
Data for this project comes from millions of samples from the U.S. Census, dating back to 1790. This micro-data provides information on the state of residence, age, and country of origin for each person. The project uses this data to estimate the number of immigrants arriving each decade, and it is implemented in Processing, utilizing a physics engine to deposit cells and allow them to interact.
Trees can live for hundreds or even thousands of years, with their rings forming slowly over time. This tree metaphor reflects how history shapes the present, much like how immigration has influenced the United States. Every immigrant leaves a mark on the country's trunk, emphasizing how all cells contribute to the tree's growth, and serving as a reference for how we can spatially organize immigration data.​
Collaborative work with Pedro M. Cruz, John Wihbey, and Avni Ghael (Northeastern University).
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Exhibitions
2024 · Picturing Immigration: Preservation in Progress
Museum of the City of New York, New York, United States
2021 · Comunidades Visibles: The Materiality of Migration
Albright-Knox Art Gallery, Buffalo, United States
2020 · Seeing Numbers
Brickbottom Artists Association, Somerville, United States
2019 · Who We Are
Museum of the City of New York, New York, United States
2019 · III Trans-disciplinary & Trans-national Festival of Art & Science
University of Toronto, Toronto, Canada
2018 · II Trans-disciplinary & Trans-national Festival of Art & Science
School of Visual Arts, New York, United States
2018 · Naturalizing Immigration
Northeastern Center for the Arts, Boston, United States
2018 · Mapping Worlds
Spaceus, Cambridge, United States
2018 · IEEE VIS 2018 Arts Program
Berlin, Germany
2018 · Presente Futuro. Design Para a Mudança
Museu do Design e da Moda, Lisbon, Portugal
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Articles
2021 · Immigrant gnosis: hacer obra en los Estados Unidos
post(s)
2020 · Mapping immigration flow through tree rings
Allen Hillery
2018 · A new way of seeing 200 years of American immigration
Citylab
2018 · This stunning visualization proves America is a nation of immigrants
Fast Company
2018 · 200 years of U.S. immigration looks like the rings of a tree
National Geographic
2018 · Process of simulating tree rings for immigration in the U.S.
VISAP
Awards
2018 · Winner gold: Most Beautiful Visualization
The Kantar Information is Beautiful Awards
2018 · Winner gold: People, Language & Identity
The Kantar Information is Beautiful Awards
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